This article features twenty outstanding sketchbook pages that have been produced by high school Art and Design students from around the world. Exploring topics such as abstract sculpture, figurative sculpture, installation, architectural design and product design, these sketchbook pages illustrate the range of excellent presentation techniques and styles that are possible. It is hoped that these examples will motivate and inspire those who are working on their own Sculpture or 3D Design sketchbook as part of a high school Art or Design project. Enjoy!

This resource accompanied the exhibition Shared Sky (2009), an exhibition of prints and drawings by Indigenous and non-Indigenous artists which explored perspectives of the southern sky. Presented to coincide with the International Year of Astronomy, the exhibition traced the visual evolution of scientific observation and ancient narratives that underlie the complexity of Australia's cultural histories. The resource offers many curriculum links to mark these astronomical events and encourages students to discuss significant developments in astronomy as well as explore the southern sky from different cultural perspectives.

Students will consider the term conceptual art and the role of math - geometry, fractions, permutations - in producing this art. They will first create a conceptual art piece by following a set of Sol LeWitt's instructions. Then, they will design two conceptual art plans using math concepts - one in two-dimensions, another in three - for a student-partner to follow.

Students will examine sixteen paintings by George Baselitz. Students will describe the works and discuss details, the reasoning and meaning behind painting upside down, techniques and methods required to work in this manner, and the process behind the series. Students will also analyze the titles and subtitles Baselitz used and the meaning or implications associated with each. Students will compose a dialogue between two characters in the paintings and will experiment with painting with hands and feet in the style of Baselitz.

Students will view and discuss Cy Twombly's "Nine Discourses on Commodus", research the Roman Emperor Commodus, investigate Twombly's process and technique, and consider the difference between works in a "series" created as "one in a sequence" rather than "stand alones". Students will also discuss how music may inspire visual arts; make paintings based on phrases of poetry; and debate the artistic value of graffiti.

This free website provides more than 600 adaptable lesson plans written by teachers in collaboration with the Denver Art Museum for more than 130 objects from the museums world-class art collection. Lesson plans and resources focus on inspiring students to think and problem-solve creatively. Organized in an easy way so that teachers can pick the topic they would like to explore or enhance, then use works of art to teach that subject.

High resolution images are included. Museum visits are not necessary to implement lesson plans. Includes professional and student development tools such as teacher workshops and webinars, virtual classroom courses, career videos, educator blogs and creativity tools. Easy for teachers in language arts, social studies and visual arts to provide a curriculum rooted in the arts while also meeting 21st Century Skills.

Students will explore how an artist emphasized the narrative in a work of art that depicts a single moment from the story. They then write a newspaper article, using visual clues in the painting to imagine how the narrative depicted many have unfolded.

This article contains tips, examples and guidance to help students produce an A* grade GCSE or A Level Art sketchbook. It outlines best practice in terms of annotation, content and page layout, and gives ideas and recommendations for students of any discipline (including Painting / Fine Art, Graphic Design, Sculpture, Printmaking, Photography, Textiles and Fashion students). It is likely to benefit those studying under a range of examination boards, as well as those producing sketchbooks for other high school qualifications, such as IB Art (the Investigation Workbook / IWB) and NCEA Level 3 Scholarship.

In this activity, students learn about traditional elements of the Kwanzaa holiday and then create a multicultural mat showing umoja, or unity, among people. Students will also research the other six Kwanzaa principles and prepare a presentation to share information with classmates.

Students see how with juse one set of directions, everyone in the classroom will come up with very unique workds of abstract art.

The purpose of this course is to provide a project-based visual arts program, which guides students to achieve the standards in the visual arts and career technical training, by providing students with the technical instruction and practical experiences for aspiring video and film makers in the production of film, video, and new media projects for business and entertainment. Students experience both the creative and technical aspects of filmmaking in conjunction with learning about historical and contemporary traditions and conventions.Students are instructed on the three stages of project creation. In pre-production, students learn the basic principles of story development, screenplay writing, storyboarding, scheduling and budget planning. Instruction in the production stage includes basic visual composition, color theory, set up and operation of camera, sound, and lighting equipment. Students learn to use cutting-edge software applications for video and audio post-production. Mastering and delivery methods, in both traditional and new media, are explored.The course also includes the basics of job shadowing, internships, and job placement. The competencies in this course are aligned with the California High School Academic Content Standards and the California Career Technical Education Model Curriculum Standards. Interdisciplinary experiences and arts activities lead to refining a personal aesthetic, and a heightened understanding of career opportunities in art and arts-related fields.

In this series of videos, an NC Virtual educator presents on a series of Biology topics with the aid of a light board to present key concepts to students.Standards alignment for each video is included in each video title.B.CX.2.3 and 2.4 (Graphic Design and Layout)B.V.3.1. 3.2, 3.3 (One Point and Two Point Perspective)B.V.3.1, 3.2, 3.3 (Shading Techniques)B.V.1.1, 1.2 (Color Wheel and Color Harmonies)B.V.1.2, 1.4 (Elements and Principles)B.V.3.1, 3.2, 3.3 (Balance in Art)B.V.3.1. 3.2, 3.3 (Rule of Thirds)

This collection uses primary sources to explore visual art during the Harlem Renaissance. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

Students will view and discuss Waking, 1984 by Gilbert and George. Working in pairs, students will gather images from newspapers and magazines depicting youth culture and style. Students will then combine the images collected by the class and create a collage showing how they think youth should be depicted by the media. Alternatively, students could create a digital collage by taking pictures of themselves and their peers. Have students discuss how their image selections reflect or represent their generation.

Students will be able to research the history of individual labor unions and interview representatives about benefits and challenges; document in a photographer's journal the process of preparing for and participating in a photography assignment; formally analyze artworks in preparation for a photography assignment; and create an original photograph of a worker that uses leading lines to create emphasis.