Students will complete two language arts activities for this lesson. In the first activity, students use folk
songs from the era of the California Gold Rush, which are introduced in the early chapters of By the Great
Horn Spoon! by Sid Fleishman, to identify folk song motifs in the classical music of Antonín Dvořák. This
will be explored by the students' creation of a labeled line drawing of one of Dvořák 's compositions. In the second activity, students will write a letter to Dvořák from the point of view of Master Jack, a character in Fleishman"™s novel, inviting Dvořák to continue his American tour into the gold fields of California for
musical inspiration.

Why do two composers from the same period of history compose different music? Students will gain an understanding of how culture and history influences music as they analyze and compare the music of Aaron Copland and Duke Ellington, and learn how these composers used special sounds to enhance their music.

Students will learn about how the fandango community celebration is central to the Son Jarocho tradition of Veracruz, Mexico. This lesson explores the core elements of the fandango: instruments, voice and verse, and rhythmic dance.

Students are introduced to the culture and music of Mardi Gras Indians, an important African American phenomenon that takes place in New Orleans. Students will examine the tradition and its culture-bearers, listen to and analyze Mardi Gras Indian music, and examine the multiple cultural influences that have contributed to the tradition. Students will gain experience in listening, movement, and performance, which will enrich their sense of the musical and cultural complexity of this phenomenon.

Moccasin Game songs of the Navajo and Mescalero Apache tribes are little known outside
these cultures, but hold intrigue and understanding for those who pursue the experiences
noted here. Students will learn the cultural significance, key traits, and pure joys of playing
Moccasin Game songs through an exciting process of listening, singing and playing.

Students will enjoy experiences in listening, singing and playing on instruments, and they will learn to study how different groups of people have influenced one other. This unit of study is intended to develop student knowledge of the Creole influence on the music of various countries in the Americas: French Guiana, Surname, and the United States.

This unit of study is intended to develop student knowledge of the Creole influence on the music of various countries in the Americas: French Guiana, Surname, and the United States. Students will enjoy experiences in listening, singing and playing on instruments, and they will learn to study how different groups of people have influenced one other.

Students will gain an understanding of a musical round by participating in a follow-the-leader activity using body percussion. This lesson is designed to fulfill Standard #2 and #3 of the National Standards for Music: Performing on instruments, alone and with others, a varied repertoire of music: and Improvising melodies, variations, and accompaniments.

In this lesson plan, students will learn rondo form, perform a two part partner song complete with "orffstration", and learn possible recorder accompaniment.

Students will learn the history behind "This Little Light of Mine", following the song through slavery, the civil rights movement, and up to its current day applications. Students will also learn to sing the song itself in multiple languages and will be prompted to write about their learning experiences after each session. At the end, there will be an opportunity for students to add their own verses to the song, based on the writing they did through each portion of the lesson.

Students will demonstrate an understanding of the musical form canon. This lesson is designed to fulfill Standard #1 of the National Standards for Music: Singing, alone and with others, a varied repertoire of music; and Standard #6: Listening to, analyzing, and describing music.

This is Tempo gives students the skills and knowledge to listen to music in a new way. With their new special vocabulary to define the speed of music they can actually analyze and create using their new skills.

Students learn theme and variations form through a worksheet-based listening activity. This lesson is designed to fulfill Standard #6 of the National Standards for Music: Listening to, analyzing, and describing music.

Students understand the relationships between whole, halves, and quarters, and internalize and the relationships between the parts through interaction with musical notation and rhythm. Additionally, students will apply abstract thinking skills to process, read and create musical notations and compositions using their knowledge of fractions.

With these segments, teachers are offered opportunities to use children’s music from Ghana,
West Africa, to gain experience with basic polyrhythmic ensembles. Singing, chanting,
dancing and playing instruments are included throughout the unit.

Students experience children's music from Ghana, West Africa, to gain experience with basic polyrhythmic ensembles. Singing, chanting,
dancing and playing instruments are included throughout the unit.

Students will understand and perform three basic rhythm symbols (quarter note, quarter rest, eighth note), and perform the rhythm of a rhyme with non-pitched percussion instruments. This lesson is designed to fulfill Standard #5 of the National Standards for Music: Reading and notating music.