Students will larn about a time in the past when three famous people- Igor Stravinsky, George Balanchine and John Ringling, Jr. - joined forces to create a ballet for ballerinas the size of battleships. Students will listen and move to Stravinsky's Circus Polka: For a Young Elephant, written for the ballet that featured fifty ballet dancers and fifty elephants. Students will hear the story, Ballet of the Elephants, and learn about the men who worked together to make it happen.

Students will learn to focus and listen to music and begin to recognize the musical elements of dynamics and tempo. Students will learn to discuss the emotions that music can portray and evoke with a writing activity to allow students to brainstorm ideas of what they hear.

Throughout history, the night sky has been the object of much speculation, investigation and imagination by scientists and mathematicians, as well as the subject for creations and compositions by musicians and visual artists. Mozart"Ÿs (12) "Variations on "žAh Vous Dirai-je Maman" and "The Starry Night" by Vincent Van Gogh will stimulate students"Ÿ interest in the art of the evening sky.

Students learn eight basic locomotor skills of walking, running, jumping, hopping, skipping, galloping, side sliding and leaping. The teacher teaches the difference between fast, medium, and slow movements while introducing the musical vocabulary for tempo: fast/presto, medium/moderato and slow/adagio. The students listen to the beat of a percussion instrument and determine if they should move fast, medium, or slow to match the tempo of the beat.

While studying ecosystems, students will focus on the changes that occur in deciduous forest throughout the seasons. With that knowledge, they will listen to and analyze Vivaldi's The Four Seasons. As a culminating activity, students will use oil pastels to show what a deciduous forest would look like during each season.

Students will develop a deep appreciation of the life and music of Ludwig van Beethoven. Students will develop the ability to articulate moods and imagery in music through poetry. They will be able to do this through comparing and contrasting two pieces of Beethoven's music via language and movement. They will depict Beethoven in an art piece and learn about his life.

Students will discuss emotion words. They will look up synonyms for emotion words. They will then listen
to the first movement of Beethoven's Fifth Symphony and discuss the emotions they hear. Discussion about
instrument families and dynamics will take place to help students decide why the song gives certain
emotions. After several times listening to the music students will create a graph of the emotions they hear in
the music.

Students will learn about the ancient Greek god of music, Apollo, through two pieces of classical music. The students will discuss the role of music in ancient Greece. The students will analyze two musical compositions, Apollo by Igor Stravinsky and Apollo et Hyachinthus by Wolfgang A. Mozart.

The student will have a an understanding of (1) the difference in day and night, (2) what causes day and night, (3) what does day and night look like, (4) what activities are most often related to each of these times, and (5) what kind of animals are awake and asleep in the day or night. The student will be able to express these activities in dance and to decide which music best fits daytime and nighttime. The student will also be able to visually depict the different times of the 24-hour day in dramatic play and on paper.

Students will gain an understanding of the difference in day and night, what causes day and night, what does da and night look like, what activities are most often related to each of these times, and what kind of animals are awake and asleep in the day or night. This integrated lesson uses the first movement, Morning Mood, from Edvard Grieg's Peer Gynt Suite No. 1, Op. 46 and Frederick Chopin's Nocturne Op. 9, No. 2, to study day and night by associating musical selections that depict aspects of each time.

Students can use music to read each other"™s minds! As students learn to differentiate tempo and dynamics to interpret the mood of the music, they will express it through physical movement that allows their classmates to guess what is on their mind.

Students will be able to: listen with purpose to a musical selection; read with understanding a sample of poetry; and, discuss as a group what similarities in structure can be found in each creative sample. Through careful listening and sequencing, students will discover that each inventive listening example is congruent to the other through musical design and form.

This lesson was designed for a third grade unit on immigration and heritage. It can be adapted for other grades with an emphasis on culture in social studies. Students are encouraged to seek out information about specific traditions, culture and music from their heritage. The teacher will pick two pieces that have contrasting images. The students will listen to contrasting pieces of music and identify which one seems to connect with the student's family heritage.

Students will analyze Igor Stravinsky's Rite of Spring and connect it to creative thematic writing.

Students will learn to appreciate the beauty of the instruments in an orchestra, differentiate the sounds created by the instruments and relate the music to artwork Los Tres Musicos by Pablo Picasso, and the following exhibits at the National Cowboy and Western Heritage Museum: The Guitar: Art, Artists and Artisans; The Power of Music- Photographic Portraits of Americans and their Musical Instruments 1860-1915.

Students will gain a basic knowledge of acoustics; the families of instruments in the orchestra; am instrument"™s pitch range; and how sound is produced by an instrument.

Students will gain a basic knowledge of acoustics; the families of instruments in the orchestra; an instrument's pitch range; and how sound is produced by an instrument.

Students are provided daily opportunities to hear, dance and move to the three separate movements of Vivaldi's Spring from The Four Seasons. Different dance and rhythm activities are used to acquaint students with the movements. The changes in tempo are discussed, as well as, musical vocabulary for fast (allegro) and slow or large (largo).

This is a series of lessons on Carnival of the Animals by Camille Saint-Saëns, and is the culmination of a science unit on animals. Students are introduced to and read passages from the book that accompanies the music of Carnival of the Animals by Barrie Carson Turner. Students discuss various musical elements such as dynamics, tempo, and orchestration. Following a deep listening activity, students create pictures and write descriptions to go along with the animal's music.

Students will learn about the instruments of the orchestra by using the CD and book Those Amazing Musical Instruments. Students will demonstrate an understanding of the musical terms forte, piano, lento, allegro, staccato and legato. They will demonstrate the ability to keep the beat by using their bodies as well as conducting batons made from popsicle sticks.