In this lesson, students will make text-to-self, text-to-text, and text-to-world connections after reading In the Year of the Boar and Jackie Robinson. Students gain a deeper understanding of a text when they make authentic connections. After reading the novel, the instructor introduces and models the strategy of making connections. After sharing and discussing connections, students choose and plan a project that makes a personal connection to the text.

Book Buddies is a program which pairs up a child from a primary class and a child from an intermediate class. In this lesson, students create a personalized biography for their reading buddy as a great way to break the ice when Book Buddies meet for the first time. Students brainstorm questions they can ask to get to know their Book Buddy. Then they use the questions to interview their Book Buddies. They write a biography of their new friend and publish it using an online tool.

The lesson includes an exploration of the genre of letters to the editor, a review of persuasive writing structure and letter format, and an emphasis on multi-draft writing. The lesson focuses on the character Roy Eberhardt from Carl Hiaasen’s Newbery Honor Book Hoot for its examples. Students can complete the activity for any book that they have read.

In this alternative to the traditional book report, students have to really understand a character from a book they have read in order to successfully communicate the essence of the character using a few words and symbols on a business card. They begin by discussing the details commonly found on business cards and looking at samples. They think about how font, colors, and logos can be used to represent their characters, as well as the taglines, products and services, and other details that could be included. Students then use planning sheets to think through the elements they want to include on their business cards before creating the final version using a word processing program on the computer.

After reading a play, students create a resume for one of the characters. Students first discuss what they know about resumes, then select a character from the play to focus on. Next, they search online for historical background information. Using supporting details from the play, students then draft resumes for their characters and search a job listing site for which their character is qualitfied.

Students examine graphic novels and comic books and discuss the important components of the genre, such as captions, dialogue, and images. They then use an online tool to create a six-panel comic highlighting six key scenes in a book they have read. By creating comic strips or cartoon squares featuring characters in books, students are encouraged to think analytically about the characters, events, and themes they've explored in ways that expand their critical thinking by focusing on crystallizing the significant points of the book in a few short scenes.

In this lesson, students are given the opportunity to be imaginative as they create illustrated postcards that depict one of the settings of their novel choices featuring journeys. Furthermore, they communicate about the importance of the settings as they write the text of their postcards.

After reading books, students share book talks through digital storytelling. First, students plan scripts and then find images to illustrate their scripts. They also add text, narration, music as well as pan and zoom effects. Finally, the joy of reading is prompted through the sharing of the students' digital stories.

In this lesson, students are introduced to familiar characters, from literature and from popular culture, whom readers first encounter as adults, but whose childhood stories are only told later. Students first discuss Merlin from the stories of King Arthur before reading Jane Yolen's Merlin and the Dragon. They then discuss the characteristics and stories of other familiar literary characters who are first introduced as adults. Then, in groups, students plan their own versions of a childhood for a selected character, and describe that childhood in the form of a short story, journal entry, or time capsule letter. This lesson uses Jane Yolen's Merlin and the Dragon to model the concept, as well as several examples from literature and popular culture. A suggested booklist is also provided.

Facebook-like pages used as book reports provide students a unique format to review several elements of fiction typically found in a traditional book report. Through the sharing of their Facebook-like pages in class, students will have suggestions for future reading.

By mimicking popular websites that relate the plot of movies, television shows, and real life events in reverse, students have the opportunity to review the plot in a more creative and challenging fashion. Using a snowclone (a verbal formula that is changed for reuse), students complete the phrase "If you read ____ backwards, it's about ____" to comment on the plots of novels.

In this lesson, students identify elements of fiction, analyze a fiction book, locating elements of plot within that book, and communicate elements of plot in their book, in visual and written form, by producing a mini-book.

In this lesson, students analyze a historical fiction novel for explicit and implicit information about a character. Students write a resume outlining the character's qualifications for the job.

Students work in groups to read and discuss a book, keeping track of their feelings and opinions about the book, as well as facts and quotations, as they read. Students then decide which parts of their review they wish to annotate, with each student in the group responsible for one topic. Each student writes about his or her topic, including bibliographic information.

Students become novice lexicographers as they explore recent new entries to the Oxford English Dictionary (OED), learn the process of writing entries for the OED, and write a new entry themselves. Students will follow up their entry with a persuasive essay and a competition in which the strongest contender for the title of New Word is chosen. Extensions will offer students a chance to evaluate old lists of "new words" and discuss the power dynamics of dictionaries.

Teachers generally warn student writers to avoid sentence fragments but professional writers use sentence fragments effectively for a variety of reasons. Using Edgar Schuster's study of sentence fragments from "The Best American Essays," this lesson encourages students to examine fragments in action, determine their effective rhetorical uses, and reflect on their own uses of sentence fragments.

In this lesson plan students use literary perspective to analyze passages from Slaughterhouse-Five and then apply that perspective by creating a compilation album, CD cover, and liner notes that demonstrate their interpretation, understanding, and evaluation of the themes and ideas in the novel.

This brochure assignment teaches how shifting purposes and audiences can create change in a student’s writing. After exploring published brochures, students determine key questions, research a topic and work through the writing process to create their own informative brochure complete with visuals.

Through this lesson, the teacher will model the think-aloud strategy for students. Components of think-alouds will be introduced, as well as type of text interactions. Students will develop the ability to use think-alouds to aid in reading comprehension tasks.

In this author study, students listen to four books by author Leo Lionni over the course of multiple days. Each reading is followed by discussion focusing on literary elements and comparing characters, themes,settings, and plots. After discussion, students participate in creating and organizing information on a large matrix which depicts the main elements of that day’s story. During the lessons, the matrix helps students review and retell each story and to compare details of two or more stories at a time. On the final day of this lesson, individual students choose any two books to compare using a Venn diagram.