Students will discover the differences in musical tempo between fast and slow. Students will learn to use the
correct musical terms to describe the tempo of each piece. Students will use streamers and their bodies to
show at what tempo each piece is played.

Students will discover how to read music notes in the treble clef and then will learn to perform simple songs on
xylophones, through reading the story Freddy the Frog and the Thump in the Night by Sharon Burch.

By listening to the words of Beethoven, students will become familiar with Beethoven's feelings about being out in nature and his desire to express these feelings through his Symphony No. 6, rather than create images of pastoral life. Students will explore and identify images of the countryside and feelings about the countryside, and note the difference. Students will identify and explore the range of possible feelings one may have when in the countryside. Students will respond to Beethoven's music and feelings about the countryside through creative movement.

Students will learn about dynamics, tempo, acoustics and instruments in the music of Charles Ives. Students will be introduced to and learn about the literary term onomatopoeia, and how they can relate it to the sounds of Ives' music. Making the connection between literacy and music, students will create their own musical onomatopoeias using various media, such as water color, tempera paint, crayons, magazine text and markers.

This lesson uses the book, Like a Hundred Drums, by Annette Griessman. The lesson can be used by music educators to practice dynamics and for exposure to classical music, and can be used by ELA or generalist teachers to enhance engagement and understanding of literature.

This lesson is designed to teach positional, directional and spatial skills, social skills, large motor skills, creative skills, and oral vocabulary using the "Aquarium" movement from Carnival of the Animals by Camille Saint- Saëns. The lesson is designed specifically to teach early childhood developmentally delayed students but can the challenge can easily be increased to make it appropriate for older grades or ELL classes.

Students will be able to relate the similarities and differences experienced by orchestra members and students of a first grade class as connected to the idea of the interdependence within a community. They will recognize that as members of a classroom community there are expectations for jobs, behavior, and intrinsic motivation to function to the best of the individual's ability. They will understand that a community within an orchestra has a similar construct to a classroom in that it is led by a conductor and that each person plays an important role within the playing of a piece, practicing their individual part, and colleague support.

Copland, an American maverick, becomes a storyteller as he writes about life in the early years of America. His Appalachian Spring helps students understand how people, places and things change over time, while his musical sketch reinforces the six traits of writing.

DSOKids is the Dallas Symphony Orchestra’s magical doorway to a world of musical fun and learning for students, parents and teachers. The site’s mission is to provide attractive, accessible and child-friendly resources that introduce symphonic music, the orchestra and its instruments, and to encourage both adults and young people to explore the world of the symphony orchestra.

Students will be introduced to the great jazz composer and band leader, Duke Ellington by listening to his re-composed and re-orchestrated version of Nutcracker Suite by Pyotr Tchaikovsky. Students will be passively introduced to the music of Duke Ellington with the goal that students recognize similar melodies in his work to those of Tchaikovsky. Students will learn about jazz instruments and connections will be made to literature, social studies, music and writing.

Students will larn about a time in the past when three famous people- Igor Stravinsky, George Balanchine and John Ringling, Jr. - joined forces to create a ballet for ballerinas the size of battleships. Students will listen and move to Stravinsky's Circus Polka: For a Young Elephant, written for the ballet that featured fifty ballet dancers and fifty elephants. Students will hear the story, Ballet of the Elephants, and learn about the men who worked together to make it happen.

Throughout history, the night sky has been the object of much speculation, investigation and imagination by scientists and mathematicians, as well as the subject for creations and compositions by musicians and visual artists. Mozart"Ÿs (12) "Variations on "žAh Vous Dirai-je Maman" and "The Starry Night" by Vincent Van Gogh will stimulate students"Ÿ interest in the art of the evening sky.

Students learn eight basic locomotor skills of walking, running, jumping, hopping, skipping, galloping, side sliding and leaping. The teacher teaches the difference between fast, medium, and slow movements while introducing the musical vocabulary for tempo: fast/presto, medium/moderato and slow/adagio. The students listen to the beat of a percussion instrument and determine if they should move fast, medium, or slow to match the tempo of the beat.

In this lesson plan, students will become familiar with the music of Rimsky-Korsakov in fullfillment of the National Standards for Music (listening to, analyzing, and describing music).

While studying ecosystems, students will focus on the changes that occur in deciduous forest throughout the seasons. With that knowledge, they will listen to and analyze Vivaldi's The Four Seasons. As a culminating activity, students will use oil pastels to show what a deciduous forest would look like during each season.

The student will have a an understanding of (1) the difference in day and night, (2) what causes day and night, (3) what does day and night look like, (4) what activities are most often related to each of these times, and (5) what kind of animals are awake and asleep in the day or night. The student will be able to express these activities in dance and to decide which music best fits daytime and nighttime. The student will also be able to visually depict the different times of the 24-hour day in dramatic play and on paper.

Students will gain an understanding of the difference in day and night, what causes day and night, what does da and night look like, what activities are most often related to each of these times, and what kind of animals are awake and asleep in the day or night. This integrated lesson uses the first movement, Morning Mood, from Edvard Grieg's Peer Gynt Suite No. 1, Op. 46 and Frederick Chopin's Nocturne Op. 9, No. 2, to study day and night by associating musical selections that depict aspects of each time.

In this three lesson unit, the concept areas of rhythm, melody, harmony, form and tone color are used. Skills will be developed in singing, moving, listening, playing instruments, creating, analyzing, and relating music to other areas such as history and literature.

Students are provided daily opportunities to hear, dance and move to the three separate movements of Vivaldi's Spring from The Four Seasons. Different dance and rhythm activities are used to acquaint students with the movements. The changes in tempo are discussed, as well as, musical vocabulary for fast (allegro) and slow or large (largo).

This is a series of lessons on Carnival of the Animals by Camille Saint-Saëns, and is the culmination of a science unit on animals. Students are introduced to and read passages from the book that accompanies the music of Carnival of the Animals by Barrie Carson Turner. Students discuss various musical elements such as dynamics, tempo, and orchestration. Following a deep listening activity, students create pictures and write descriptions to go along with the animal's music.