This lesson plan teaches students about onomatopoeia. Students will analyze how comic books use onomatopoeia and how they add to story in an effort to create their own comic books.
Who owns what you compose? Who controls what happens with the words, images, music, sounds, videos that you create? What rights do you have to use other people’s compositions? This unit plan focuses on helping students find answers to these questions. Students explore a range of resources on fair use and copyright then design their own audio public service announcements (PSAs), to be broadcast over the school’s public address system. Students begin by completing a survey about fair use. Students discuss their responses to the survey and then research facts about fair use and copyright. Next, students become familiar with PSAs before writing and producing their own announcements, which are shared with other students. Work can also be published as podcasts on the Internet.
Using a scaffolded process and moving from whole group to individual work, students will explore iconic images from the Civil Rights Movement and create captions that summarize the features and ideas in the images. To publish their work, students can use the ReadWriteThink Printing Press, Trading Card Creator, or Stapleless Book student interactives. This lesson uses the topic of the Civil Rights movement, but can also be done with other thematic sets of images.
Students examine books, selected from the American Library Association Challenged/Banned Books list, and write persuasive pieces expressing their views about what should be done with the books at their school.
In celebration of Earth Day, students research famous environmentalists and write letters to them asking for their opinions on current issues and turn their letters into a poem.
In this lesson, students will select a piece of their own writing that contains dialogue then go through the piece highlighting the speech of each character in a different color. Then they will go through the piece again looking for and correcting "character clashes" that occur when two speakers are highlighted in the same paragraph.
In this lesson, students explore adjectives through a read-aloud and develop a working definition of the term. They list as many adjectives as they can, then combine them with "to be" verbs to create simple sentences. Next, they are introduced to character traits by putting the adjectives from their list in the context of a character from a shared reading. They then use an online chart to equate the character traits with specific actions the character takes. Finally, students "become" one of the major characters in a book and describe themselves and other characters, using Internet reference tools to compile lists of accurate, powerful adjectives supported with details from the reading. Students read each other's lists of adjectives and try to identify who is being described.
This resource, Character Perspective Charting, is an instructional method designed to reflect the actual complexity of many stories and is a practical instructional alternative to story mapping. This strategy delineates the multiple points of view, goals, and intentions of different characters within the same story. By engaging in Character Perspective Charting, students can better understand, interpret, and appreciate the stories they read.
In "Paradox and Dream," a 1966 essay on the American Dream, John Steinbeck writes, "For Americans too the wide and general dream has a name. It is called "the American Way of Life.' No one can define it or point to any one person or group who lives it, but it is very real nevertheless." Yet a recent cover of Time Magazine reads "The History of the American Dream " Is It Real?" Here, students explore the meaning of the American Dream by conducting interviews, sharing and assessing data, and writing papers based on their research to draw their own conclusions.
In her poem "Nikki-Rosa," Nikki Giovanni describes specific moments from her childhood. The images she recalls are more than biographical details; they are evidence to support her premise that growing up black doesn't always mean growing up in hardship. In this lesson, students explore what Jago calls the place "where life and art intersect" by carefully reading and discussing Giovanni's poem. They explore their own childhood memories using an interactive tool and then write about these memories, using Giovanni's poem as a model.
In this lesson students plan, write, illustrate, and publish their own children's picture books. First, students review illustrated children’s books to gain an understanding of the creative process and the elements that help make a children's book successful. Next, students use graphic organizers, peer feedback, and storyboards to brainstorm and create the relationship between the illustrations and text, as well as formalize character, setting, and conflict. Finally, students use a variety of methods to bind their books in an attractive manner and present their books to their peers.
Students are prompted to challenge their notion of synonyms being words that "mean the same" by investigating key words in Robert Frost's poem, "Choose Something Like a Star." First, they build an understanding of connotation and register by categorizing synonyms for the title word, "choose." Then they develop lists of synonyms for words of their choice elsewhere in the poem and collaborate on a full analysis, focusing on the relationship between word choice and the elements of speaker, subject, and tone.
In this minilesson, students explore the use of dialogue tags such as “he said” or “she answered” in picture books and novels, discussing their purpose, form, and style. Students identify dialogue tags in stories, collaboratively revise a passage from a novel to add more variety to the tags, and then apply the text structure to stories that they have written.
In this lesson, students will read Shel Silverstein's "Sick" aloud, students summarize the poem and count the words in their summary. They then summarize the poem again, using only one word. Students explain their choices and discuss the various words offered as a summary. The class then chooses the one word that best represents what is happening in the poem. Finally, students read a second poem, individually or in small groups, and summarize it using only one word.
When it comes to formal writing, most students choose passive voice constructions because to them, the verbs sound more academic or more formal. This minilesson explores verb choice in a variety of online resources then encourages students to draw conclusions about verb use. Then they explore the pieces they are writing, checking for active and passive voice, and make necessary revisions.
In this lesson, students explore the different purposes readers have and how to determine what their purpose for reading is. Students also learn how to evaluate whether a book is at the right reading level and length for their abilities.
This lesson has students create stories that reflect this kind of reading. Students begin by reading untraditional books that use fragmented storylines, multiple perspectives, and unresolved plots. They apply these same types of strategies to their own writing, which they then publish using wiki technology. In doing so, students practice important literacy skills including searching for information, integrating images into text, and creating storylines that are reflective of the new types of reading found on the Internet. With different on-level literature, this lesson can also be adapted for high school classrooms.
Students and the teacher produce a class book through a group-writing activity, focusing on a basic before-during-after sequence of events. After discussing what they know about pumpkins, the class carves a jack-o-lantern, pausing at each step to chart their observations on before, during, and after charts. The class then uses their sentences from the chart to write the sequence of events for carving the pumpkin. Finally, the class publishes their work, using one of several publishing options.
In this lesson, students complete two prewriting activities, one on brainstorming ideas using story maps, and one on creating beginnings of stories. They then work on two collaborative-writing activities in which they draft an "oversized" story on chart paper. Each student works individually to read what has been written before, adds the "next sentence," and passes the developing story on to another student. The story is passed from student to student until the story is complete. In a later lesson Collaborative Stories 2: Revising, the story is revised by the groups.
In this lesson, using a story which has been written collaboratively, students engage in a whole-group revising process by having each student add a sentence at a time. The teacher leads this shared-revising activity to help students consider story content. Students begin by reading their collaborative story and then discuss ways of making changes. Then, after revisions have been made, they reread the story as a group. Finally, students come to a consensus on a title for their story.