Students will be introduced to one new medium and one new technique: bronze sculpture and lithography; consider the ways in which popular culture is recorded or disseminated in society; consider the ways in which art and popular culture may be integrated in advertising.

Students will be introduced to some of the conventions of portraiture such as costume, gesture, expression, pose, and background; consider how the above elements can communicate information about a person; consider how symbols can be used in a portrait to add meaning.

Students will compare propagandistic strategies in artworks to modern-day examples of persuasive techniques and create a propaganda poster for a current political leader.

Students will be able to talk about the original contexts of works of art; explain what the Grand Tour was; and give reasons why people have looked to the art and literature of ancient Greece and Rome for centuries as a source of inspiration.

Students will be able to use English–language vocabulary to describe what they see in a work of art; create a collage that communicates their experience of the urban environment; and write about their collage, articulating what they were trying to express through visual images using English–language vocabulary.

Students continue learning and researching their country's culture to complete a mandala. In their mandala, they will use the symbols, colors, landmarks, and history of their country's culture to complete a radial balanced mandala. A mandala symbolizes the wholeness and unity of the universe. Students will look at examples of rose glass windows, research hinduism and buddhism culture's to become inspired to create their own take on a mandala representing their own country's culture. This lesson was developed by Danielle Gaimari as part of their completion of the North Carolina Global Educator Digital Badge program. This lesson plan has been vetted at the local and state level for standards alignment, Global Education focus, and content accuracy.            

Students will be introduced to two new mediums: industrial design and photography; consider the ways in which art, architecture, and design affect their everyday life; consider the impact that the creation of public monuments has on a city and its citizens.

Students will learn about design issues including sustainability, safety, and use; explore how architects are using green technologies in today's buildings; investigate how the built environment affects the natural environment; investigate how the natural environment affects the built environment.

Students will explore the design process through photographic documentation and architectural plans and elevations; use primary-source documentation to explore the history of a building; compare and contrast works of architecture and industrial design; become familiar with the work of Mies van der Rohe and the International Style movement; learn the terms plan, elevation, cantilever, ornamentation, and scale.

Students will become familiar with the industrial developments of the twentieth century and how they affected architecture and society; explore the development of urban environments; compare and contrast graphics and drawings; create works of art that document their neighborhoods from their own perspectives; learn the terms utopian and conceptual.

Students will explore the inventions and material innovations that made the construction of skyscrapers possible; become familiar with the roles of architects and engineers; make connections between architecture and history; learn the terms ziggurat and cladding.

Students will be able to visually analyze a photographic image; write a headline and a story to accompany an image chosen from a newspaper; and compare what they see in a photojournalistic image to what they read in the story accompanying the image.

Students will be able to describe and analyze techniques artists use to communicate persuasive messages through two-dimensional and three-dimensional images; understand key themes and artistic styles of the Counter-Reformation period in 17th-century Europe; and create a sculpture that conveys a message conceived by a patron.

This is the first lesson in a sequential unit. Students consider the ways that sculptors have represented concepts and ideals as symbolic forms in three dimensions. They compare historical examples to those in contemporary culture, and begin sketching designs for their own symbolic sculpture.

This lesson is part of a sequential unit. Students participate in a class critique of the symbolic sculptures they created. They critique the work of their peers by responding to questions about the symbolic content and applying criteria for sculpture developed in Lesson 1.

Students will examine sixteen paintings by George Baselitz. Students will describe the works and discuss details, the reasoning and meaning behind painting upside down, techniques and methods required to work in this manner, and the process behind the series. Students will also analyze the titles and subtitles Baselitz used and the meaning or implications associated with each. Students will compose a dialogue between two characters in the paintings and will experiment with painting with hands and feet in the style of Baselitz.

Students will view and discuss Cy Twombly's "Nine Discourses on Commodus", research the Roman Emperor Commodus, investigate Twombly's process and technique, and consider the difference between works in a "series" created as "one in a sequence" rather than "stand alones". Students will also discuss how music may inspire visual arts; make paintings based on phrases of poetry; and debate the artistic value of graffiti.

This free website provides more than 600 adaptable lesson plans written by teachers in collaboration with the Denver Art Museum for more than 130 objects from the museums world-class art collection. Lesson plans and resources focus on inspiring students to think and problem-solve creatively. Organized in an easy way so that teachers can pick the topic they would like to explore or enhance, then use works of art to teach that subject.

High resolution images are included. Museum visits are not necessary to implement lesson plans. Includes professional and student development tools such as teacher workshops and webinars, virtual classroom courses, career videos, educator blogs and creativity tools. Easy for teachers in language arts, social studies and visual arts to provide a curriculum rooted in the arts while also meeting 21st Century Skills.

Celebrate "Women's History Month" through this edition of Text to Text in collaboration with the Makers project (a digital and broadcast initiative from AOL and PBS that showcases stories of groundbreaking women from all walks of life. Students will view video clips, compare texts, answer key questions, and engage a variety of "Going Further" exercises.

The Learning Network provides teaching and learning materials and ideas based on New York Times content. Teachers can use or adapt our lessons across subject areas and levels or contribute their own ideas. Students can respond to our Opinion questions, take our News Quizzes, learn the Word of the Day, try our Test Yourself questions, enter contests, do crosswords, learn about what happened on this day in history, answer 6 Q's About the News, speculate on "What's Going On in This Picture?" or read our Poetry Pairings.

Students will view and discuss Waking, 1984 by Gilbert and George. Working in pairs, students will gather images from newspapers and magazines depicting youth culture and style. Students will then combine the images collected by the class and create a collage showing how they think youth should be depicted by the media. Alternatively, students could create a digital collage by taking pictures of themselves and their peers. Have students discuss how their image selections reflect or represent their generation.