This is the article which is part of the lesson Comic Renditions lesson which is part of the New York Times activity.

Students are introduced to the Greco-Roman myth of Dibutades and the creation of the first relief sculpture by critically analyzing Joseph Wright's painting The Corinthian Maid. They then mimic the artistic process presented in this myth by drawing an outline of a classmate to use as the basis for the own relief sculpture in clay. Included in this resource is an art slide show, a short time-lapse video demonstrating low-relief sculpture in clay and the interactive matching game "Ancient Arcade" that tests knowledge of gods and goddesses.

After learning about how a community functions and looking at how our local community works on a day to day basis.  Students work together to create an imaginative community including all the elements that make a community run smooth.  Students will use Google Draw to learn how to "draw" a house on a chromebook for the mural as well as using Kahoot! to take a survey about the naming the community, what materials to use, and what would students want to include to take the community complete.

In this lesson, students create their version of Lady Liberty in a fun and artistic way. Students will draw their own Statues of Liberty that reflect their ideas about what she represents.

Students will consider the work of Keith Haring in the late 1970s and early 1980s as a framework for studying any artist and era. Students research historically and culturally significant events as a potential means to understand artists and their works.

Students will:

* Learn about The Highrise of Homes Project and James Wines (architect) and his design firm SITE (Sculpture in the Environment).
* Work in groups as "city planners" and "architects" to create a proposal for a home construction.
* Research examples of high-rise housing by other architects and compare them to the Highrise of Homes project and high-rise housing where you live.

From Creative Living: Residential Architecture in MoMA's Collection: The Curved House--Endless House
Project (unbuilt). 1950-60

Students will:

* Learn about The Endless House project and Frederick Kiesler (the architect).
* Compare the Endless House with other homes from this guide and in your neighborhood.
* Build the Endless House
* Research Kiesler's vision for the Endless Theater.

Students will:

* Learn about Farnsworth (the house) and Ludwig Mies van deer Rohe (the architect).
* Conduct research on the Bauhaus movement.
* Write a report about the artists and intellectuals, like Mies van deer Rohe, who sought asylum in other countries to escape censorship and the suppression of individual and political rights under Hitler in the 1930's.

From Creative Living: Residential Architecture in MoMA's Collection, A Guide for Educators

House Three: The House on Stilts--Villa Savoye, Poissy-sur-Seine, France, 1929-31

Students will:

* Discuss the particulars of the Villa Savoye.
* Discuss the Le Corbusier's "Chaise Longe" chair.
* Learn about the occupants, the Jeannerets, of the Villa Savoye.
* Analyze and evaluate "home" and "home atmosphere".
* Compare and contrast, through a series of writing exercises, the qualities of Villa Savoye with their own.
* Learn about Le Corbusier's "Five Points of Architecture" and the "International Style".

From Creative Living: Residential Architecture in MoMA's Collection, A Guide for Educators

House Two: The Red and Blue House--Schroder House, Utrecht, The Netherlands, 1924

Students will:

* Discuss the particulars of the Schroder House.
* Discuss the "Red Blue Chair".
* Learn about the occupants, the Schroders, of the Red and Blue House.
* Analyze and evaluate "home" and "home atmosphere".
* Compare and contrast, through a series of writing exercises, the qualities of Schroder home with their own.
* Learn about the "De Stijl" movement.

Students will explore different artistic techniques for communicating motion; analyze how a work in series can depict narrative and motion.

Students will be introduced to the concept of the manifesto and will investigate its relationship to an artistic movement; explore how art can be used as a response to political and social issues.

Students will examine the ways in which an artwork is innovative or daring for its time; investigate how a new style was furthered by the exchange of ideas between Picasso and Braque; compare and contrast Cubist works depicting the human figure.

Students will consider the ways in which the contemporary world and events affect artists, and how artists respond to and record these effects; investigate how artists use symbols to convey meaning.

Students will do light research on medieval art and history in order to deliver a brief talk about the historical context of one work in the Metropolitan Museum of Art"™s collection.

In this lesson, students will do light research on medieval art and history in order to deliver a brief talk about the historical context of one work in the Metropolitan Museum of Art’s collection.

The Cyrus Cylinder, a proclamation by the Persian king Cyrus the Great, gives rare historical insight into ancient Persian culture. These guides can be used to explore the Cyrus Cylinder and related objects in the Getty Villa's collection to learn about Persian culture and Persian interactions with the Greeks. Each guide contains information for teachers as well activities for students that can be carried out in the classroom. Resources include:

Students will become familiar with the terms landscape, iconography, abstract, and will revisit the terms foreground, middle ground, and background; explore how the artist's perception impacts the way he or she interprets and represents a subject.

Students will be introduced to some of the conventions of portraiture; consider how symbols can be used in a portrait to add meaning; be introduced to the technique of photomontage.

Students will be introduced to the strategy of collage; be introduced to the concept of chance and how it has played a role in the production of visual art; explore how artists incorporated materials from everyday life into their works of art, including images from the mass media.