In this resource, students can learn about the ways which the United States provided naval assistance during the two World Wars. This resource is connected with the Smithsonian Museums.

In this lesson plan, students learn their personal responsibilities within the classroom, school, and community. Students understand that there are diverse views within a community and respect the opinions, backgrounds, and cultures of others.

Students will learn about the history behind Argentina's Dirty War through music, research, and discussion. Special attention is paid to the documentary film, Las Abuelas de Plaza de Mayo and the Search for Identity, which deals with the victims of the Dirty War as well as citizens who heroically stood up to the junta.

Students will examine three images that represent different ways that artists, in the years between World War I and World War II, responded to the social and political turmoil around them; discuss these images in terms of subject matter, composition, style, and representation.

Students will consider the concept of identity in relation to their own experience; consider and discuss portraiture; discuss the costume, pose, gesture, expression, and mood in these portraits, and the artist's stylistic choices; consider how artists represent individual and collective identity in portraits; consider artistic choices in relation to historical context.

Students will discuss the ways paintings and prints created during the interwar years reflect changes to the landscape; visually analyze landscape images, using such terms as background, fore-ground, middle ground, medium, and composition; consider the different ways artists responded to the changing landscape.

Students will examine a poster and two paintings and consider how the artists who created these objects reflected upon movement through subject matter, form, and technique; consider the varying experiences of viewing a triptych, a painting cycle, and a design object; discuss multi-panel artworks in terms of narrative.

Students will be introduced to works of art that address constructions of identity in a consumer society; explore the roles memory plays in the creation and evolution of identity.

Students will analyze the symbols used in geographic maps; consider the impact of cultural, historical, and political contexts on mapping; compare and contrast maps in diverse mediums made by artists from different geographic and cultural backgrounds.

Students will explore the varied meanings of “identity; learn how irony and satire can function in a work of art; discover how maps can be used to chart not only geography but also psycho-logical, emotional, and intellectual states.

Students will learn how artists explore personal, cultural, and national identity through materials, process, and tradition; see how contemporary artists have adapted historic, culturally specific art-making practices to the present day; begin to consider the role of politics and religion in contemporary art.

The Art of Illumination project is a great way for students in grades 5-12 to experience the medieval process of illumination as authentically as possible. After researching the history, people, and art of the Medieval Ages, students will have the opportunity to create an illuminated text of their own.

This article explains the artistic interaction betwen the Islamic world and Europe and Asia. The technical aspects of calligraphy, painting, and bookbinding are important facets of the study of Islamic art.

This article explains how Islamic scientists during the medieval period made many contributions to the fields of astronomy and astrology.

In this lesson, students will learn about Celia Cruz and the use of objects to discuss people. They will understand how artifacts can help us understand people in the past.

This online interactive lesson from the United Kingdom's National Archives guides students through several primary sources in this case study about banning the bomb to answer the big question, "The Nuclear Game - how close was it?" There is a worksheet, glossary, and timeline provided to assist students in their analysis. You must click on the picture of each primary source to access it.

Students will study Robert Rauschenberg's "Barge, 1962-63" and consider statements made by critics at the time. Students will also create a timeline of what was happening in the 1960's in the US. Students will identify the various processes used in "Barge". Students will also brainstorm images representative of their own community and create a collage from newspaper, magazine, and other image sources. They will also apply paint to the work. Students will also approach the subject through screenprinting.

Students will begin to learn about the changes that occured on the American homefront because of World War I by analyzing correspondence from Assistant Sec. of the Navy Franklin D. Roosevelt and Boston Red Sox owner Harry H. Frazee.

This multimedia resource, part of the NC Science Now series, describes how researchers at the UNC Coastal Studies Institute, NOAA, and East Carolina University are studying shipwrecks of North Carolina coast. Underwater archaeologists are documenting the wrecks of allied ships and German U-boats to study and preserve in photos and videos a part of the nation's history. Components of this resource include a video and a related blog article. Links to these components are provided on the page under the heading "UNC-TV Media."