Students will be introduced to two artists, Kazimir Malevich and Piet Mondrian, who pioneered different systems of abstract painting; consider how the two artists' use of shape, line, composition, and color reflect both similarities and differences in their artistic ideologies.
Have students brainstorm a list of adjectives to describe places. As a group, look at Schiele's Old Houses in Krumau and then, working with a partner, to match words from the list with Schiele's scene. Have students reflect on process--how they know when an artwork is finished. Ask students about the use of anthropomorphic elements in Schiele's work and their own. Have students consider the terms looking and seeing and how the two differ. Students will produce an anthropomorphic landscape from their surroundings and write down similes and metaphors comparing parts of the landscape to the human form. Students will also work together to produce a series of images inspired by each other. Students will also work with the definition of "artists".
Students will look at Egon Schiele's "Seated Couple, 1915" and compare the two figures. Students will discuss how art can express feelings symbolically. Students will then consider Gustav Klimt's "The Kiss, 1908" and compare the two works noting proportions, perspective, color, decorative elements and the relationship between the figures and the environment. After a class discussion on allegory, students will create their own allegorical drawing. Students will then write a poem based on one of the works. Also, working in pairs, students will sketch each other twice making use of perspective to portray different aspects of the subject.
Students will look at Egon Schile's "Self-Portrait: Pulling Down an Eyelid, 1910" noting use of color and decorative elements, clothing, facial and body language and emotion. Students will also consider Schiele's use of line and his contrasting blocks of color. Students will compare his work to that of his mentor, Gustav Klimt. Working in groups, students will construct and act out a dialogue between artist and subject based on a Schiele drawing. Students will engage in two continuous drawing activities; two contour drawing activities; and create a digital self-portrait experimenting with contortion, asymmetry, and/or disproportionate elements.
Students will create portraits in the style of the Egyptians and students use correct proportion in drawing the facial features.
“Ekphrasis” is an obscure word for a common phenomenon: the impulse of artists of various media to compose creative responses to other artists’ work. In Greek, the word translates roughly into “description,” and “ekphrastic writing” is often defined as writing that describes an artistic product. However, description is only one among many elements in a successful piece of ekphrastic writing. What follows is an outline for a three-day unit in a creative writing class, designed to introduce students to the writing of ekphrastic poetry. The final assignment requires students to apply their knowledge of ekphrastic writing to works within the Washington and Lee collection. The course could easily be adjusted to cover ekphrastic prose, with an altered set of readings.
Students will create an individual work of art based on Keith Haring's style with the intent that they are empowered to have a future without the negative influence of drugs.
Students will paint a landscape where the body and nature are interconnected. Students will experiment with weight, gravity, tension and balance. Students will also watch a Neto video on Intimacy.
Students will go through a series of sensory experiments to learn to express subjective sensations. Students will transform the classroom into an installation piece and discuss how they interact and integrate with the altered space. Students will also design and create a living sculpture where they are each a part of the interconnected work.
Students will view Neto's "Coconut Water" 2008. Students will also conduct fieldwork collecting data around the school and in their own neighborhoods, document their fieldwork through video, photographs, or drawings, and share findings through a roundtable discussion. Students will also select a typical local product and write a manifesto as to its importance. Also, students will create a mural in the style of Neto's installations.
Students will engage in learning activities of 'Creating and Making' and 'Exploring and Responding'. The 'Creating and Making' activities include: plein-air drawing; creating a tour itinerary; digital landscape; sights and sounds journal; and making a film. 'Exploring and Respondin' exercises include: art and science; painting pictures with words; imagining a new land; building on the landscape tradition; perspective; compare and contrast; the legacy of von Guerard; and appropriating von Guerard.
This lesson provides an examination of images and the creation of role plays through which students will explore the various perspectives of the Boston Massacre, understanding how this controversial day in history played a part in the outbreak of the American Revolution.
This curriculum is intended to provide students and teachers with the tools to analyze photography. Each lesson is easily adaptable to enhance learning on any theme, topic, or historical period that is expressed by, or documented in, photographs. The lessons in this curriculum are intended to be used sequentially. Students will learn the basic tools for analyzing images using description, reflection, and formal analysis.
This lesson contains three activities. Each activity uses a different object to explore one method of analysis and emphasize concentrated looking. When using non-photographic images, emphasize that the tools students are learning can be used to analyze any work of art from any time period, including photographs. This activity is an engaging way to help students create rich, descriptive sentences. Learning to write these sentences will be helpful when students create their own artist's statements in later lessons.
Students will read an artist's statement by Dorothea Lange and write an artist's statement based on their own photographs. Students will examine the relationship between photography and the artist's statement; look closely at their own works of art; and use the methods of description, reflection, and formal analysis to write their own artist's statements.
In this lesson, students explore how photography can illuminate aspects of their identity, including cultural backgrounds, family histories, engagement in societal groups, personal privilege, and the points of intersectionality between those. To start this exploration, your students will consider the idea of self-portraiture and the depth of information (or misinformation) that photography can express, by analyzing others’ self-portraits. Following a discussion of the factors that shape background and identity, students then begin to consider their own identities. Students create their own digital self-portraits pulling from ideas around personal background and identity to take the popular digital photography format to another level. In the final reflection, students connect their own identities to the idea of the self, and to the self-portrait, as they begin to consider the changes they would like to see in their world.
The North Carolina Museum of Natural Science created this resource as part of an online workshop series, but you are welcome to use or modify it for your classroom. It includes a video and written directions for creating nature journals and tips for incorporating them into your classroom. For information on taking any the Nature Neighborhood online workshops for CEUs or EE credit, visit: https://naturalsciences.org/learn/educators/online-workshops.
In this project, students explore the use of masks in various world cultures, learning about the origins, purpose, and use of masks in rituals, performances, fashion, occupations, etc. They consider how masks function as objects to enhance beauty and appearance, provide protection or concealment, display power, or indicate change and transformation.
Students use what they learn about masks to inform a reflection on the ways that they “wear masks” in their own lives, and the different “faces” they put on for themselves and others. They create a mask that artistically represents one of these faces and present it as part of a collaborative exhibition.
Students are introduced to the Greco-Roman myth of Phaeton and how he created the Milky Way galaxy. Students critically analyze the painting The Fall of Phaeton by Rubens. They then create their own constellation to be displayed in a classroom galaxy. Included in this resource is an interactive 360-degree view of our galaxy from the earth’s perspective provided by CK-12 Foundation, the interactive matching game "Ancient Arcade" that tests knowledge of gods and goddesses, and the Astroviewer that is used to see the current night sky above some international cities.
Students will learn the skills necessary for a career in the fast growing industry of fashion design. Students will learn how to design, sew, and re-style clothing; apply the elements and principles of design in various aspects of the fashion industry; understand the relationship between history and fashion; know the general characteristics, production, and maintenance of textiles and textile products; study and analyze fashion trends; understand the principles of apparel pattern making; and demonstrate the skills and procedures necessary for sales and marketing in the fashion industry.